Tuesday, 21 July 2015

Review: Fate/stay night Unlimited Bladeworks (anime)


Note how i'm very VERY particular about the title. This is the 2014 reboot you could say of the same anime that was released back in 2004 (i think, but somewhere around that time, back then it was just 'fate/stay night'). The story was pretty good... the fighting scenes were... meh.

In the Unlimited Bladeworks version, the story was revamped. there's a better buildup of characters (of course the graphics are much much better, where's the doubt?) personalities, quirks and so on, giving a better insight into the character's mindset. Not just that, but the timeline of the night when our protagonist 'almost' gets killed has also been revamped and is actually far more complex than before - leaving you to wonder how, why, when and who planned it?

Our heroes (the summons) now have better looking equipment, their weapons look far more polished and their attacks are AMAZING. I loved the revamp mostly coz of this! I mean... who doesn't love a great well detailed fight scene?

Anyway, a lot of loopholes were finally fixed and the story seems to be fleshing out way better than back in 2004. This anime i would recommend to Shonen fans who love their fight scenes as well as to those who would like to see a well made anime where the characters are not as stereotypical as they normally would be.

A must watch and sadly I've only watched season 1 (or rather the first 12 episodes~) of unlimited bladeworks as of yet.. so i'm waiting for season 2 to download and for those of you who haven't watched the older version of fate/stay night, DON'T.

And do NOT spoil my fate stay night for me ^^

Review: Coppelion (manga/anime)

The way it starts off, makes it seem like an end of the world anime, but you can't really classify it there and it borders more on sci fi, but one does wonder if a reality similar to what was shown on Coppelion could be true for the rest of the world a few years down the line.

Coppelion has been set in a future where people were and are dependant on nuclear energy, but the story has been set in Japan, specifically Tokyo where the Daiba nuclear plant is present. However, in this show, the Daiba nuclear plant 'exploded' contaminating Tokyo and making it near uninhabitable as shown in the beginning of the manga and anime, where you see old buildings ready to fall apart, a terrible road a few poles around and so on.

In this future, 'dolls' called Coppelion have been created - they look like thinking breathing humans, however, the speciality of these dolls is that each of them have a superpower (varies for each) and they don't suffer from radio active poisoning. This is because each of them had this 'coded' into their DNA.

Disturbingly enough, the Coppelion weren't 'completed' or 'perfected.' in fact, the older Coppelion let out neutrons and can cause radio active poisoning amongst 'normal' people, but stranger than that is that at some point in their short lives, they fall into a deep sleep and die. The cause was never found out.

Amongst the Coppelion, there are different groups - initially the exploration group, then the clean up group and finally our lead protagonists the 'medical' group who are searching for survivors to bring them back to Tokyo.

Our protagonists suddenly find themselves fighting other Coppelion who 'defected' and after just barely getting away from them, find survivors and begin to unravel the mysteries behind the Daiba nuclear power plant as well as why they were created by humans.

This i would classify as a Shoujo manga with action and maybe a hint of romance, which makes it very different from the normal Shoujo mangas out there and also why i'm putting it up as a must read. The point of view that they show via nuclear tragedy is something that people should keep in mind, though take with a pinch of salt. But as a manga, well written and if you're watching the anime, well made, good songs, the action sequences have come to life! But, if you can get the Japanese dub with English sub, it would be better than the kind of out of place English dub.

Note that the manga and anime are on going. Currently, i found the complete chapter list on  mangahere.co

Happy reading :)

Monday, 20 July 2015

Review: Law of Ueki (anime)

This is an anime worth watching. Second only to Fullmetal Alchemist Brotherhood (I'll do a review later <3 ) of course, and maybe a few others.

In this anime, the protagonist has a superpower that allows him to convert 'trash' into trees. One might think that the power is a bit underrated, but with the way Ueki uses it, one wouldn't be so sure. As they start off in the beginning, it would seem like he's your ordinary high school (a bit cliche for anime yes, but if you bear with it . . . ) student, till he finds out that he can convert trash into trees.

As the story progresses, we find out that Ueki is a 'heavenly being', that he can gain alternate skills other than his main power (trash into trees?) and also that his friends or the people he seems to bump into have superpowers themselves and they eventually band together to form a team to take part in the different competitions.

Its worth watching for the songs (i loved the openings and endings) and for those who like action and comedy. This manga is a Shonen manga (lead protagonist is male), but well made and if you're looking for something a bit different, this is it.

Friday, 17 July 2015

A review: Last Notes (manga)

So, i thought about doing something a little different with things i like, so i decided to try and write a review... i'll try regularly writing a review of a manga i've read or recently finished reading.

Last notes interestingly enough seems to have nothing to do with the title, at least as far as i can discern. If i were to accurately describe it, it would be quoting the author "An aromatic love story." quite a pretty way to put it, if i do say so myself and maybe a bit unusual as well.

But i certainly liked the story as well as its pace. The story's theme would be 'incense sticks' which somehow bring our lead protagonist together with the one she likes. Our protagonist is a young (beautiful) girl who lives in the countryside. Upon receiving news of the death of her grandfather (the only family member whom she has), she leaves her home (in the village where she was isolated because the villagers believed her mother was a very promiscuous woman) and follows the instructions her grandfather gives her - to an incense stick shop.

Unsure of what she is to face, she gives a piece of bark to the two men who run the shop after explaining her situation to them and informing of her condition. Interestingly enough, the protagonist has no idea what her Grandfather does for a living or even of the state of affairs of her father or mother.

The two men in the store are kind enough to our protagonist and one of the two men has an excellent sense of smell, one so advanced that he can get sick from smelling something that he thinks smells bad. I feel sorry for him, honestly. This poor guy also loves to pick up stray kittens probably because he sees himself in them . . . his background story's pretty sad.

Over the course of events, the protagonist who was never loved before or 'loved' herself, finds herself in love for the first time and only understand what she feels when her friend puts it in perspective for her.

For a fourteen chapter story, i think its an interesting read for those who like shoujos (female protagonist takes the stage) and romance :)

Thesis: Fairy tales - a blindfold or a bed-time story?

Fairy tales are a convenient blindfold we created to hide from the true face of humanity from our children. The original tales were written by the brothers Grimm and their tales were as grim as their names, if not more. These tales were then re-forged, for something more fitting for a time long past. The question then becomes are they relevant in this day and age? Should they not go back to their originals, the ones that spoke of the truth of the world, instead of letting others hide behind the innocent façade we created, or is it alright to let children discover the lie that we wove for them in the first place?

Fairy tales were originally written for adults, so why is it that we have altered and adjusted them to suit our needs – to show our children a ‘hope’ that is unreal? If for example, we were to talk about the brothers Grimm, their stories always made you question what the real truth was – animals can’t talk, so we eliminated that. Then comes punishment and torture, people abandoning one another, mothers jealous of their children, so on and so forth… this part was probably the most realistic part in the entire tale. Blood and gore, did we not build human civilization on that?
On the other hand, I have to agree that we’re building ourselves up as a ‘prim and proper’ society, but wasn’t there a time when we were truly barbaric? These tales, the best example being red riding hood, tend to touch on those ‘primitive’ or ‘barbaric’ emotions.
The actual story as written by the brothers Grimm stated that red riding hood upon being enticed by the wolf to play in the forest surrounding her path loses track of time and ends up hurrying to her grandmother’s place towards the evening. Upon reaching there, she is asked to partake in meat and wine by her grandmother and discovers that she ate her own grandmother’s flesh by a cat that lived in her grandmother’s house. Red riding hood is then asked to take off her clothes and get in bed with her old grandmother. It is only then that Red riding hood realizes that the wolf she met in the woods earlier was pretending to be her grandmother and so she asks to go to pee. The wolf senses a ruse and so ties a rope around red riding hood’s ankle and only then lets her go. Upon not returning for some time, the wolf calls out to red riding hood and on receiving no answer, goes outside, only to find that the rope was cut. He then chases after red riding hood, but luckily she managed to reach home before the wolf could catch up to her and so the story ends on a somewhat bitter sweet note.
I suppose and perhaps that is the reason why we swept these terrifyingly grim stories under the carpet. So why do we hide this barbaric nature from our children? Why do we make them grow up believing that someone will come save them in their time of need? Is it because we do not wish to show them the horrors previous generations lived through?
Whatever the case may be is it not wrong to pull the wool over their eyes and make them believe in something that will never come for them, that society is as simple as it seems in fairy tales, that there is always a happy ending? In reality, we are aware of what people are like. If fairy tales are what they first read and learn from, should it not make a beginning to help them understand the world better?

Another point I would like to make, is that the characters presented in these tales have little or no detail – there is no background to help relate to or understand them. Is it not odd? It is true, that unless you talk to a person you may never begin to understand them, so why is it that the fairy tales we altered do this? Are we teaching our children to only look at a person’s face value? However, in the original tales, the characters were given some amount of development considering that they were short stories. Then again, when you look at each of the characters more closely, you find that they have only given hints as to the darker aspects of the character and as far as I’ve found, they never label the character as being ‘bad’ or ‘evil’ outright.
This leads me to a similar yet different point – stereotypes. The characters in current fairy tales tend to lean on stereotypes, as though presenting that the world is all black and white and that there are no gray areas. Is that not strange?
In the world we live in, we are clearly aware that there is no such thing as ‘just’ black or ‘just’ white. Very often, we tend to deal with the ‘gray areas’ on a daily basis. Is that why we enjoy oversimplifying the horrifyingly graphic tales that were written by the brothers Grimm because we are afraid or reluctant to face or understand what people might have had to go through, because we had enough and didn’t want anything to do with realism or could it be that we want neat and tidy endings, simple enough for children to understand? Again I ask you, is it alright to let them go blindly into the world, believing in such fantasies?

Why is it then that we continue to cultivate this ‘false’ or ‘misleading’ hope that states that things simply fall into place and that you do not need to work hard or persevere for it? In all the fairy tales that were written recently, we find that things tend to ‘happen’. Cinderella’s fairy god mother gives her clothes. Snow White’s prince saves her. Prince charming always appears on time. The character tends to move in one direction yes, but is it not odd and absurd how things take place? It seems as though all their fights are being fought by an external force for them and that all they have to do, is wait.
Real life is never that ‘lucky’ and ‘fortunate’ or ‘kind’. If we need something or want something, we have to go out there and get it ourselves. So why is it that we’re reading stories to our children, making them believe or rather giving them the hope that they don’t have to do anything and that things will fall into place for them at all times?

All in all, I have to say that while fairy tales make good bases for stories, one wonders if we should keep the fairy tales that we’ve edited. Would it not be better to read the original instead of a fake, if only to get children to understand the real world better?

Thursday, 16 July 2015

My friend the sea

Mottled blood that powdered on touch, with fingers stained red I traced the jagged edges of someone’s bite. Sturdy yet brittle a piece fell off. Waves crashed as she called for a game. Protesting for my attention, she called out louder.

Sprayed by the ocean, I giggled and ran. She heaved a warning and I dodged the next spray. She warned me again, but I was caught. Laughter and giggles resounded around us as she called me for the next game.

I ran along the shores, feet digging deep into the sand while dodging crabs that scuttled by. Some hid in their shells and others waved their claws in warning. She roared in laughter and chased me once more, spraying my feet and hair.

I ran, and ran till I couldn’t, and with a fit of giggles, flopped on the sand. Protesting slightly as she bathed my feet, I faced her disgruntled. Drenching me to the bone I let out a yelp of surprise and ran towards her in protest. In apology she held me gently and I settled to listen to her lulling lullaby.

She would tell me of stories of old, of times when I wasn’t yet born as she decorated my hair with seashells, ‘of a time long past when she would wear the most beautiful of dresses for every occasion . . . a dress of topaz blue would be for a nice sunny day, another of a million blues and reds for the wedding of her daughters, another made of corals for festivals celebrated in her realm.’


She would sound sad as she told me these stories, as though those times of long past would never return, for these days she wore a sad blue for the death of her many children and though she weeps for her children, she always smiles for me and spends her time with me, a someone who has no one. But that’s a lie, isn’t it? I have a friend and she’s called the sea.

Wednesday, 8 July 2015

Of haikus and sonnets...

So, just recently we got back to college after a long break (2 months! muahahahaha) and our facilitator was a word lover (addict sounds more accurate though) and though everything he said was interesting and insightful, i suddenly found that he seemed to be droning on and on and on... i really thought he was boring for a while till i realized that i was just extremely saturated and half zoned out.

Anyway. he told us that to write better or to gain more control over words, we should write 'poems'. not necessarily become poets per say, but just try writing with those constraints. honestly speaking, it wasn't... that challenging, but i did struggle a bit when starting. oh right - we were given 3 choices - a haiku, a sonnet or a villanelle.

i chose haiku. for those who know me, they could easily guess why i chose haiku. for those who don't know me too well, you'll realise that if my facilitator was a word lover, then i'm a lover of most things japanese. funny right?

Which will probably bring you to the question - what IS a haiku?

a haiku is a 3 line poem, with a 5-7-5 syllable requirement, meaning that your first sentence is 5 syllables, second 7 and third 5.

Now, i honestly wonder how they manage to write haikus in japanese because most japanese words are at least 2 to 3 syllables. english isn't any easier. in fact, because english is an 'iambic pentameter' language (apparently, so my facilitator says. or something like that) the syllable count is more 'comfortable' in 10 syllables, so haikus changed to either 6-4-6 pattern or 4-6-4 sometimes.

i somehow managed to write my haikus in 5-7-5 patterns, so do tell me what you think :)


Dusk blossoms orange
Red like fire flowers fall down
Darkness consumes all
  

The moon shines brightly
Ripples form from sakura
Winged fish swim closer

  
Darkness cloaks the night
Where ghost like orbs shimmer bright
Released by sad hands

The haiku above is in reference to the 'bon' festival in japan, where you release lanterns while saying a prayer for your lost ones. i don't remember the equivalent for the bon festival in india, but something similar is celebrated in many countries.


Cold sky blushes pink
Cherry blossoms turn bright white
A dew drop slips down



i'll be writing a few more in the coming week and i'll give my hand at a sonnet or a villanelle, wish me luck!